Recommended Reading
Tuesday, August 26th, 2008 by Steve EshomThanks to ObsCar I ran across an article by Jeff Brouws where he discusses railroad photography and what makes compelling railroad photography (Please read A Word on Jeff Brouws on the page preceding Jeff’s article).
“…it’s also important to note: when you realize everything in the railroad landscape is potential subject matter, it’s liberating and opens up pictorial possibility” — Jeff Brouws
In the article Jeff briefly touches on some of the history of railroad photography aesthetics and offers 6 attributes that differentiate the railroad photographs of the likes of Steinheimer, Hastings, or Shaughnessy from their predecessors.
“Rail photographers of the 3/4 school were concerned with one thing: documentation, not interpretation, emotional content or aesthetics” — Jeff Brouws
Jeff continues his discussion with examples of non-railroad photographers and their approach. He points out that their view point was not primarily the trains but of subjects related. Their success was based not on a compelling railroad photograph but how the photograph supported their subject and continued their story. In fact in the discussion of Joel Sternfeld’s A Walk Along the High Line Jeff makes a strong point urging railroad photographers to look at things differently than they have because there are so many opportunities that exist.
I encourage readers of this blog to take 30 minutes and read Jeff’s article. I believe you will come away with a fresh viewpoint about railroad photography and possibly photography in general.
























Things to come...:
So Long Kodachrome: